47619:Action
Philip stares at the photo, speechless, for a long moment, then slides it down the table to Bernadette. She eagerly scoops it up and gives it 100% of her attention.
s1a1
47617:Text
Only a portion of her minimally clothed mid-section is visible, but it is enough to show that her exposed flesh is covered in what seems to be fur (colored burnt orange with jaguar-like black spots).
47616:Action
Kartinhaus whips out a photo and flings it across the table to Philip, who picks it up to examine a blurry still-frame image of the woman’s torso.
47613:Text
On the monitor, a destroyed construction crane billows with thick smoke. And within that black cloud is a faint outline of a womanly figure. She lingers for just a moment, then leaps straight up and out of the video’s frame. Then a second later, she drops back to the ground, outside the smoke near the
47608:Dialog
(speaks with a thick German accent) We are far beyond a discussion on this! While the great Philip Ward frets about manners, this saboteur – this…savage…continues to destroy millions in equipment and cost us invaluable time. (Eyes darting back to the TV monitor) There!!! Look!! Look at it!!
47607:Action
Kartinhaus (his face turning a shade redder) repeatedly pounds a finger against the table to accompany each syllable in his angered response.
47604:Dialog
(speaks with a British accent) Oh for Pete’s sake, calm down Kartinhaus. I will not be addressed in such a manner. I am your peer, and any discussion…
47602:Text
The TV screen plays footage of a construction site set within a lush rain forest setting. Past the ‘WarKar’ signage welded onto metal fencing is a large rolling river, wide and deep enough that several mid-sized cargo ships float within it.